by Janet Allison Brown & illustrated by Frank Endersby ‧ RELEASE DATE: March 1, 2012
Hands down, this subject is a poor choice for a board format.
This hand-shaped effort describes the purpose and power behind people's hands.
Wordy spreads discuss the differences between right and left, challenging readers to examine them and use them in a variety of ways. The text is utterly at odds developmentally with the toddling audience. “Cross your wrists so that your RIGHT hand is now on the LEFT and your LEFT hand is now on the RIGHT.” The text asks the child listeners to place their hands over the front and back covers (in the shape of two hands) to distinguish their right from left. Unfortunately, the pages' shapes are the opposite inside, so the "right hand" appears on the left side when facing readers. A hodgepodge of instructions and vignettes clutters the already cramped pages. Tiny cartoon illustrations sometimes appear odd and even disconcerting in context. “Do any of your other fingers do special things? We use our forefinger to say, be quiet!” The corresponding image depicts a slouching boy with trumpet in hand; a woman towers over him with her shaking finger in an angry reprimand.
Hands down, this subject is a poor choice for a board format. (Board book. 2-4)Pub Date: March 1, 2012
ISBN: 978-0-7641-6517-7
Page Count: 16
Publisher: Barron's
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 1, 2012
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by Christopher Silas Neal ; illustrated by Christopher Silas Neal ‧ RELEASE DATE: March 27, 2018
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
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by Jon Klassen ; illustrated by Jon Klassen ‧ RELEASE DATE: Feb. 4, 2025
Pure unmitigated sleepy-time pleasure.
Klassen’s inimitable blend of cozy and curious is on flagrant display in this tale of personalized forest management.
“This is your sun. It is coming up for you.” Klassen allows the youngest of readers to put together a beguiling woodland scene. Each object in the forest is bedecked with the deadpan eyes the artist is known for. Like other titles in the series, this one presents typical items (trees, rocks, a stream), but it distinguishes itself by including a solitary forest ghost who “is nice. He only comes out at night.” It’s a tiny yet whimsical detail that imbues the tale with an enchanting sense of unpredictability. When day shifts to night, readers are assured that “this is your forest. Now it is done.” The sun sinks, and they’re treated to a surreal scene as all the items appear to doze off: “Now everyone is closing their eyes.” Happily, the ghost has a brief solo moment on the very edge of the forest on the final page. Readers will experience both the comfort of putting a community of anthropomorphized objects to sleep and the power of creating it in the first place.
Pure unmitigated sleepy-time pleasure. (Board book. 2-4)Pub Date: Feb. 4, 2025
ISBN: 9781536230833
Page Count: 24
Publisher: Candlewick
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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