A fresh, nuanced examination of the human desire to define itself in the face of societal norms.
This sci-fi coming-of-age story finds young adults struggling against being complacent workers in a hive society.
In a future in which humans have abandoned the planet’s surface to live in crowded underground “hives,” world governments imprint instructions into the minds of their citizens. Criminals’ memories are wiped to remove criminality, and crime victims’ brains are similarly altered to remove their traumas. Natural-born telepaths, such as a teenager named Amber, are extremely rare and conscripted into service at age 18, when they must begin scanning citizens’ minds for violent intentions. Because of her powers, Amber is one of only a handful of people in her society who are allowed to retain their senses of self. As the head of an elite law enforcement team, she has all the trappings of wealth and power, but she begins to find that she can’t trust her own thoughts; she also begins to fall in love with Lucas, a team member whose mind is the most complex and beautiful that she’s ever scanned. Slowly, she realizes that a recurring dream that she’s had since childhood is a mental echo of a real event, when she was kidnapped and programmed by her hive’s enemies. With Lucas’ help, Amber must set a trap for the enemy agent who programmed her and find some way to protect herself, her family, and her hive from the unknown instructions hidden deep within her mind. Author Edwards (Earth and Fire, 2016, etc.), a prolific, Oxford University–educated sci-fi writer, offers the first installment of a new trilogy here. Although she rewards readers with several big revelations by its end, there’s more than enough mystery remaining to support two more books, as the clues are hidden in Amber’s memories, and her struggles to retrieve them reveal the hive’s true vulnerability: a society that wipes people’s memories can’t learn from its own history. With vivid prose, Edwards also manages to make the hive spaces seem vast or claustrophobic by turns; along the way, she also offers a thorough analysis of the costs of isolationism—to individuals and to a nation as a whole.
A fresh, nuanced examination of the human desire to define itself in the face of societal norms.Pub Date: Oct. 20, 2016
ISBN: 978-1-5370-8802-0
Page Count: 354
Publisher: CreateSpace
Review Posted Online: Dec. 7, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Review Program: Kirkus Indie
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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