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CHIMES OF A LOST CATHEDRAL

An unusual and passionate re-creation of the terrible tragedy of the Bolshevik Revolution and the timeless literary culture...

The second installment of a young poet’s trials in war-torn Russia, 1919-1921.

In another massive tome, Fitch (The Revolution of Marina M., 2017, etc.) picks up where she left off—her heroine, Marina, once a bourgeois princess in a refined intellectual family in Petrograd, is now 19, pregnant, and desperately seeking work, shelter, and proletarian papers in the outlying burg of Tikhvin. Not long after she gets herself situated, her lusty nature gets her in trouble again—and then her long-lost poet husband (not the father of the child, unfortunately) rolls into town on an agit-prop train. Rescued from rural tedium, she’s off with the actors, sailors, and soldiers riding the rails. Up on the roof of one of the cars, she glories in a “soar of spirits I never expected to feel again.…Ah, the rush, the sweep of the horizon, this enormous country headed into its future! I felt like I was riding time itself, the sun on my face, the freshness of the fields, the great green expanse of Russia in the blue bowl of her heavens.” This will be one of her only happy moments in more than 700 pages of tumultuous plot, but no matter what grisly doom and miserable fate befall her, Marina continues to think big, in swathes of grand prose and plenty of quoted poetry. After she gives birth, she makes her way back to Petrograd, a city starving, collapsing, and writhing in agony. But on the plus side, she meets all the great writers of the period and is embraced as a promising new talent. The writer and activist Maxim Gorky plays a major role in the story; Blok, Mayakovsky, Akhmatova, Mandelstam, Gumilev, and many others are also on the scene. This part of the book seems a bit special interest for the general reader of historical fiction but will be a treat for fans of Russian literature. Since the first volume began with a prologue set in 1932 and this one only gets us to 1921, one wonders if Marina’s story will end here.

An unusual and passionate re-creation of the terrible tragedy of the Bolshevik Revolution and the timeless literary culture it produced.

Pub Date: July 2, 2019

ISBN: 978-0-316-51005-9

Page Count: 752

Publisher: Little, Brown

Review Posted Online: June 2, 2019

Kirkus Reviews Issue: June 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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