Sensual, spiritually intuitive writing.
A free-spirited middle-aged woman leaves her husband and family to pursue her dreams in this second novel by Furst.
Furst’s 2016 debut novel, Everyday Truth of a Rainbow Woman, recounts the story of Grace Heronheart, a school psychologist from rural West Virginia who quits her job to become a writer. This follow-up rejoins Grace on her journey. The aspiring writer has formed a strong bond with an enigmatic “cabin-dweller” named Shaun, who lives alone by a river. Grace makes day trips to the river and talks with Shaun about “books, reading, writing, or his life in the cabin” while her son, Justin, swims in the river. It’s not long before passions flare between Grace and Shaun, and they become locked in a deeply sensual relationship. Grace leaves her unhappy marriage to live in the cabin, much to the chagrin of her son, who refuses contact with her. So continues Grace’s spiritual and literary adventure as she plunges deeper into a bohemian lifestyle, living simply and spending nights by the campfire listening to music, wrapped in Shaun’s arms or embarking on road trips. As with the first book, the voice used here is first-person singular, and Furst has the uncanny knack of fooling readers into thinking that this is a memoir. Her writing has a natural confessional style that seems to speak directly from the heart: “The little voice inside me that had drawn me to him was not one of logic. I had given up on the world of logic several years earlier. I listened to the voice without knowing, without attachment.” Readers skeptical of New-Age spirituality may balk at some of the language: “Oya is the goddess of change and wind and weather. We spun in circles nine times and asked for gentle changes in our lives.” Yet those who enjoyed being introduced to Grace and learning about her past lives in this book’s prequel will delight in reuniting with her as she embarks on a new and exciting journey.
Sensual, spiritually intuitive writing.Pub Date: Dec. 14, 2017
ISBN: 978-1-5043-7336-4
Page Count: 172
Publisher: BalboaPress
Review Posted Online: May 22, 2018
Kirkus Reviews Issue: July 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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