It’s an uphill climb, one that will leave many readers stranded on the side.
For 18-year-old Evan Boroughs the chance to sign with a major cycling team comes as an incredible opportunity.
Joining the Image Craft-Icon team gives Evan the chance to compete in the Tour of California with his cycling icon, Dashiell Shipley, as the tour winds from Sacramento to Thousand Oaks. Evan still tries to make time for finishing his senior year, for his mom’s undiagnosed sickness and for his girlfriend Glory despite the rigors of the race, but he quickly finds he is stretched to the limit. When his hero tests positive for drug use, Evan must evaluate his place in the cycling world. With a bit more gross-out humor, Lynch’s narrative could nearly be mistaken for a Chris Crutcher novel, albeit one about an incredibly narrow subject. Potentially exciting moments fail to materialize due to cycling jargon and too-generic descriptions of roads, hills and spinning wheels. Cycling terminology is defined in the narrative rather than in a separate glossary, and that additional weight slows the pace. While Evan has depth, the other characters appear and vanish too quickly to leave an impression.
It’s an uphill climb, one that will leave many readers stranded on the side. (Fiction. 12-16)Pub Date: April 1, 2012
ISBN: 978-0-8234-2363-7
Page Count: 192
Publisher: Holiday House
Review Posted Online: Feb. 21, 2012
Kirkus Reviews Issue: March 15, 2012
A provocative shot but far from a slam-dunk.
After a promising young talent is shot dead on a neighborhood basketball court, the game takes on new meaning for a community in mourning.
Middle schooler Tony “Tone” Washington lost a close friend when a police officer opened fire on honor student Dante Jones, cutting the nationally ranked basketball player’s life short. The working-class Milwaukee neighborhood Tone and his family live in is no stranger to injustice, so in the aftermath, a rally, protest, and candlelight vigil are organized in tragically routine fashion. All the while, Tone’s focus is on making an elite local AAU basketball team, partially in commemoration of his late friend but also because—despite recognizing some of the disconcerting aspects of so much of your future being determined as a young teen—the sport takes up a significant space in the lives and dreams of the boys in his neighborhood. But the overlap of hoop dreams and police brutality ultimately makes for some uncomfortable and uneven narrative beats. As Tone narrates his interactions with Dante’s younger brother, Terry, the latter boy is obviously and justifiably angry and hurt because of his very personal loss, making Tone’s dogged focus on basketball strike a hollow note. Despite some compelling reflections on community and emotional health, sports clichés abound on the way to the national championship, and the impact of Dante’s death only three months earlier is not fully explored. Most characters are assumed Black.
A provocative shot but far from a slam-dunk. (Fiction. 12-16)Pub Date: Sept. 6, 2022
ISBN: 978-0-06-306959-6
Page Count: 304
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
BOOK REVIEW
Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre.
Survival camp? How can you not have bad feelings about that?
Sixteen-year-old nerd (or geek, but not dork) Henry Lambert has no desire to go to Strongwoods Survival Camp. His father thinks it might help Henry man up and free him of some of his odd phobias. Randy, Henry’s best friend since kindergarten, is excited at the prospect of going thanks to the camp’s promotional YouTube video, so Henry relents. When they arrive at the shabby camp in the middle of nowhere and meet the possibly insane counselor (and only staff member), Max, Henry’s bad feelings multiply. Max tries to train his five campers with a combination of carrot and stick, but the boys are not athletes, let alone survivalists. When a trio of gangsters drops in on the camp Games to try to collect the debt owed by the owner, the boys suddenly have to put their skills to the test. Too bad they don’t have any—at all. Strand’s summer-camp farce is peopled with sarcastic losers who’re chatty and wry. It’s often funny, and the gags turn in unexpected directions and would do Saturday Night Live skits proud. However, the story’s flow is hampered by an unnecessary and completely unfunny frame that takes place during the premier of the movie the boys make of their experience. The repeated intrusions bring the narrative to a screeching halt.
Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre. (Fiction. 12-14)Pub Date: March 1, 2014
ISBN: 978-1-4022-8455-7
Page Count: 256
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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