by Janet S. Wong & illustrated by Margaret Chodos-Irvine ‧ RELEASE DATE: May 1, 2001
“No one wants Chinese food / on the Fourth of July, I say. / Fireworks are Chinese, Father says, / and hands me a pan full of sweet-and-sour pork.” A Chinese-American girl grapples with issues of culture, identity, and acceptance in this well-conceived work. In the opening spread, executed in a printmaking technique similar in style to a woodcut, the girl leans against the gray door of her parents’ store wearing a long expression on her face and a red-and-white striped shirt with blue overalls. “I hear the parade coming this way—/ boom, boom, boom. / I smell apple pie in Laura’s oven upstairs,” she says. Yet in her own kitchen, her parents prepare chow mein. Later, a quintet of evenly spaced spot illustrations stretch across the length of the page. Text appears above the pictures of the girl sitting on a green stool: “One o’clock, / and they buy ice cream. / Two o’clock. / The egg rolls are getting hard. / Three o’clock. / Ice and matches. / Four o’clock, / and the noodles feel like shoelaces.” “My parents do not understand all American things. / They were not born here,” she says on the next spread, certain that the food will go uneaten. But her demeanor changes when customers start trickling in. Soon, she steps behind the counter to help fill orders. In the end, the story comes full circle as the girl heads to the rooftop to watch the fireworks with her family and friends from the neighborhood; on the final spread, she eats a piece of apple pie. All at once, cultural boundaries don’t seem quite as defined. (Picture book. 3-7)
Pub Date: May 1, 2001
ISBN: 0-15-202543-X
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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