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YOU HAVE TO WRITE

Coming up with new ideas is a common dilemma of many a writer, from budding elementary-school essayists to experienced novelists. Wong (Apple Pie, Fourth of July, p. 583, etc.) offers each young reader a personal idea portfolio of sorts in this poetic exploration of potential subjects for writing topics. Her story, written in second-person free verse, focuses on four upper-elementary students struggling with a writing assignment. The narrator’s encouraging voice urges the students to “Reach inside. Write about the dark times. . . . Write about the bright times.” Wong gracefully conveys that each writer has a unique family, childhood, and fears that are a rich source of writing subjects. She also works in a couple of ideas about revisions: using multiple drafts and moving pages of text around physically on the floor. Two separate poems written in the voices of the two boys in the class are also included. Flavin (Fly High! The Story of Bessie Coleman, 2001, etc.) contributes gouache paintings that complement the text well, although some of the children in her illustrations hold their pens or pencils at rather odd angles. Elementary teachers will find this unusual combination of poetry and advice a useful introduction to creative-writing assignments. (Poetry. 8-11)

Pub Date: July 1, 2002

ISBN: 0-689-83409-8

Page Count: 40

Publisher: McElderry

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2002

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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THE COLOR OF MY WORDS

This standout novella lustrously portrays Ana Rosa and the rich simplicity of her family’s daily life in the Dominican Republic. The linked vignettes and elegant prose vitalize the merengue music, colorful houses, as well as the people’s poverty and the tyranny of the government. Each chapter begins with one of Ana Rosa’s lovely rhythmic verses. A poet and writer at age 12, she steals bits of paper to record everything she sees, hears, and imagines. Ana Rosa’s family is very close by necessity, but it is her beloved brother Guario who has the job that supports them. As the novella proceeds, dark shadows begin to slink through the gentle days. We learn that Ana Rosa’s father drinks too much rum and Coke, especially on Sundays, when he becomes a lurching spectacle. Then an official informs the villagers that to build a hotel, the government has sold the land on which their families have lived for generations. The villagers band together, Ana Rosa writes an article, and her brother Guario becomes their passionate leader. But when the day of the standoff arrives, the villager’s words and rocks are nothing against the guardia’s guns and bulldozers. The heartbreaking result is Guario’s death. Without diluting the sorrow, Joseph (Fly, Bessie, Fly, 1998, etc.) illustrates the good arising from the tragedy as the government cancels the hotel project and Ana Rosa begins writing the life of her brother. This is an achingly beautiful story that will awaken profound emotions in the reader. (author’s note) (Fiction. 8-11)

Pub Date: Aug. 31, 2000

ISBN: 0-06-028232-0

Page Count: 144

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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