Young readers will discover some wonderful music, but only if they’re prepared to wade through a stultifying thicket of...
A music-obsessed teen in Los Angeles’ Laurel Canyon begins to connect the songs he loves to world events.
In 1971, Quinn enjoys a sweet life. His family counts Mama Cass Elliott and Carole King as friends, and he can spend every dime on an impressive collection of some of the greatest albums pressed to vinyl. Quinn’s taste and knowledge are as eclectic as they are rigorous—he loves Frank Zappa, The Flying Burrito Brothers, Aretha Franklin and Nick Drake with equal gusto—and music permeates his every waking thought, including the thematic lists and columns he publishes in his high school newspaper. While the endless stream of musical and historical references places the action very firmly in 1971-72 and showcases Tashjian’s flawless research, it also threatens to overwhelm the narrative, which is itself overstuffed. Too many pages call attention to historical details such as the cancellation of Star Trek or the passage of the 26th Amendment, ejecting readers from the story. They may have a hard time caring about Quinn’s humorously awkward first romance with Caroline, his Ouija-board–based communication with the spirits of Hendrix, Morrison and Joplin, or his developing political consciousness regarding the draft and the brutalities of the Vietnam War.
Young readers will discover some wonderful music, but only if they’re prepared to wade through a stultifying thicket of social and cultural references . (Historical fiction. 12-16)Pub Date: July 3, 2012
ISBN: 978-0-8050-9365-0
Page Count: 288
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
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