A new collection of 15 stories from Australian-born Hospital (Borderline, 1985; Dislocations, 1988), sometimes uneven in quality but all with a distinctive voice. Taking her theme from the title story, in which ``particular isobars (imaginary lines connecting parts of equal pressure on a map) connect lines where the pressure of memory exerts an equivalent force,'' Hospital moves back and forth across time and continents as she explores these points of recall. In the most accomplished piece (``The Last of the Habsburgs''), a schoolteacher, because of some past scandal, can teach only in the wilds of Australia, where she relieves the tedium by keeping scrapbooks in which she records past travels and the progress of promising students—like Hazel and Rebecca, who with her once witnessed a crude act of violation by local boys, which taught her that ``the acts of men, even when they are boys, are shouts that rip open the signs that try to contain them.'' Other notables are: ``The Second Coming of Come-by-Chance,'' in which a drought foments apocalyptic fervor and threatens to reveal a community's long- hidden secret; ``The Loss of Faith,'' in which an Australian professor, now teaching in the US, believes he sees his first wife in a crowd and, recalling that time, realizes how much has been lost; and ``Queen of Pentacles, Nine of Swords,'' in which a Canadian woman observes the downward spiral of a doomed Indian woman friend, whose life has been ruined by an arranged marriage. At times the memory-connections theme becomes an irritating constraint, but for the most part these are richly evocative stories, especially of Australia and people defined forever by their past. A subtle and intelligent writer.
Pub Date: Sept. 23, 1991
ISBN: 0-8071-1710-2
Page Count: 177
Publisher: Louisiana State Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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