Accomplished, yet emotionally arid writing: cold comfort for those who believe love conquers all.
Twenty stories, some mere fragments, describe with clinical detachment the gnawing disappointments and blighted realities of most loves.
Award-winning Scottish writer Galloway (Foreign Parts, 1994, etc.) is a cheerless chronicler of those whose lives, even without heartbreak, are lived on the margins, with dreary and ill-paid jobs. The title story’s narrator is a prostitute whose pimp makes her feel special because he says her “kisses are what I’m for.” In “Valentine,” a young woman, despite flowers, a gift, and dinner, finds herself, at the end of the day, with her “heart bursting with wanting to give more” in order to connect somehow with her unimaginative boyfriend. In “Proposal,” a young woman is afraid of losing her independence (“ I want you to stop making decisions for me”) if she agrees to marry her boyfriend. As the two drive to his parents’ house and have lunch with them, he irritates her further by revealing more decisions he’s made without consulting her. Other perils of love are detailed in “In Test,” about an impoverished middle-aged artist, in London to visit galleries, who thinks about her life and lover as she tries to pluck up courage to buy a pregnancy-testing kit. She concludes that she’ll survive whatever the outcome: “People did. They had the capacity to survive.” In “Sonata Form,” a famous and self-absorbed musician’s wife is tired of dealing with her husband’s fans and the demands of his career but realizes, after a concert, how much she loves and admires him. And in “Bisex,” a young lesbian fights her desire to telephone the bisexual woman she loves, as she imagines what the woman is doing with men . . . “I wonder and try not to think, thinking anyway.”
Accomplished, yet emotionally arid writing: cold comfort for those who believe love conquers all.Pub Date: Feb. 14, 2002
ISBN: 0-684-84450-8
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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