A Texan first-novelist offers a sweeping historical based on the lives of her own female ancestors—a three-generational epic brimful with all the energy, drama, and occasional ingenuousness one expects from the Lone Star State. Whenever Windle trotted out the family legends of how her maternal great-great-grandmother Euphemia Texas Ashby King scared a Comanche raider off her land with a rifle, or how her paternal great-grandmother Georgia Lawshe Woods shot a Yankee captain for threatening her daughter's virtue, her children expressed doubt that women ever behaved in such a way. The result is this exhaustively researched tale of the King and Woods clans, who farmed, fought, and bred in the fertile south-central towns of San Marcos and Seguin. Beginning with five-year-old Euphemia's witnessing the aftermath of the Battle of the Alamo in 1836, which led to a mass female flight away from Santa Anna's army, Windle traces Euphemia's return to Seguin, where she marries one of the infamous Rowdy King Boys, establishes a horse-breeding farm, and begins a dynasty of her own—all while fending off Comanche and panther attacks and weathering the whipsawing political scene as Texas becomes a republic, then a state, then a member of the Confederacy, and finally a state again. Meanwhile, Georgia Lawshe, a plantation-owner's daughter, is ripped from her genteel surroundings to resettle with her physician husband in sleepy San Marcos. Practical Georgia soon establishes a thriving cotton plantation and refuses to be distracted even by the Civil War from supervising the building of a family estate. The stubborn, make-do genes of these two pioneer women come in handy through several more generations of Texas females—who suffer through tornados, Yankee occupations, death, divorce, and the Depression with relative aplomb—before combining in the form of the author herself. Windle stumbles occasionally in her effort to justify some of her protagonists' actions—but the author's passion for the landscapes and people of Texas overshadows these minor flaws. (First printing of 150,000; Literary Guild Dual Selection for February)
Pub Date: Jan. 14, 1994
ISBN: 0-399-13813-7
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1993
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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