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THE EXPATRIATES

A richly detailed novel that rubs away at the luster of expat life and examines how the bonds of motherhood or, really,...

In Lee’s second novel after the bestselling The Piano Teacher (2009), Hong Kong sets the stage for stories of expatriation, cultural divide, and, most strikingly, the varying ways in which grief causes isolation, as seen through three connected women.

“You can survive a tragedy, given time,” thinks Mercy, a mid-20s Korean-American Columbia graduate who moved to Hong Kong for a fresh start after years of being unlucky in life. Unfortunately, a change in scenery doesn’t cause much of a change in her happiness; desperate for a job, she agrees to accompany a wealthy American couple and their three children on a trip to Korea, where a terrible “incident” involving one of the children—that's what everyone chooses to call it, hardly capable of being direct—occurs and she is deemed responsible. The novel begins nearly a year later, a year during which grief has settled in Mercy’s core, as well as in Margaret Reade’s, the beautiful family matriarch who hired Mercy. As Mercy “wonders when she’s supposed to start her life again, when she is allowed,” Margaret is dealing with similar feelings—“she cannot live. She cannot not live”—and yet the two women are completely isolated from one another and from their community of expats, whose beautiful families and lavish lifestyles now seem unreal, untouchable. Lee’s portrayal of Margaret’s grief is the most powerful; the quiet, daily suffering of a mother who’s experienced unspeakable loss is profound: “she is aware of a black hole that she must avoid at all costs. She is teetering at the edge of it, peering down.” The women’s isolation is mirrored in Hong Kong’s expat culture, which Lee describes in full-bodied detail, a culture painted in rich, tropical color—but only on the surface. A third woman, Hilary, is also connected to this story, but less intensely, and her experience with grief and isolation—while relatable—pales in comparison to Margaret’s, as well as to Mercy’s level of disassociation. An unfortunate side effect of unraveling tragedy is that these characters are lost in reflection, and so there's not much present action and the narrative is often lacking immediacy. Some plot threads beg for more conflict, others are simply forgotten—this book gets lost in thought.

A richly detailed novel that rubs away at the luster of expat life and examines how the bonds of motherhood or, really, womanhood, can call back even those who are furthest adrift. 

Pub Date: Jan. 12, 2016

ISBN: 978-0-525-42947-0

Page Count: 336

Publisher: Viking

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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