by Janice Y.K. Lee ‧ RELEASE DATE: Jan. 12, 2016
A richly detailed novel that rubs away at the luster of expat life and examines how the bonds of motherhood or, really,...
In Lee’s second novel after the bestselling The Piano Teacher (2009), Hong Kong sets the stage for stories of expatriation, cultural divide, and, most strikingly, the varying ways in which grief causes isolation, as seen through three connected women.
“You can survive a tragedy, given time,” thinks Mercy, a mid-20s Korean-American Columbia graduate who moved to Hong Kong for a fresh start after years of being unlucky in life. Unfortunately, a change in scenery doesn’t cause much of a change in her happiness; desperate for a job, she agrees to accompany a wealthy American couple and their three children on a trip to Korea, where a terrible “incident” involving one of the children—that's what everyone chooses to call it, hardly capable of being direct—occurs and she is deemed responsible. The novel begins nearly a year later, a year during which grief has settled in Mercy’s core, as well as in Margaret Reade’s, the beautiful family matriarch who hired Mercy. As Mercy “wonders when she’s supposed to start her life again, when she is allowed,” Margaret is dealing with similar feelings—“she cannot live. She cannot not live”—and yet the two women are completely isolated from one another and from their community of expats, whose beautiful families and lavish lifestyles now seem unreal, untouchable. Lee’s portrayal of Margaret’s grief is the most powerful; the quiet, daily suffering of a mother who’s experienced unspeakable loss is profound: “she is aware of a black hole that she must avoid at all costs. She is teetering at the edge of it, peering down.” The women’s isolation is mirrored in Hong Kong’s expat culture, which Lee describes in full-bodied detail, a culture painted in rich, tropical color—but only on the surface. A third woman, Hilary, is also connected to this story, but less intensely, and her experience with grief and isolation—while relatable—pales in comparison to Margaret’s, as well as to Mercy’s level of disassociation. An unfortunate side effect of unraveling tragedy is that these characters are lost in reflection, and so there's not much present action and the narrative is often lacking immediacy. Some plot threads beg for more conflict, others are simply forgotten—this book gets lost in thought.
A richly detailed novel that rubs away at the luster of expat life and examines how the bonds of motherhood or, really, womanhood, can call back even those who are furthest adrift.Pub Date: Jan. 12, 2016
ISBN: 978-0-525-42947-0
Page Count: 336
Publisher: Viking
Review Posted Online: Nov. 4, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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