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THE UNLOCKED PATH

An often riveting fictional testament of a doctor’s life at the turn of the 20th century.

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A young woman defies societal norms in her personal life and career in Daly’s debut historical novel set in 1897 Philadelphia.

Eighteen-year-old Eliza Edwards comes from a family of passionate dreamers. She sees her aunts Estelle, Florence, and Josephine—in their respective careers as a stenographer, art teacher, and secretary and board trustee—as role models and struggles to accept a seemingly fated future as a housewife and mother as her debut in society approaches. After a field trip with Josephine to the library at the Woman’s Medical College of Pennsylvania, Eliza meets medical student Anandi Gopal Joshiand finds the missing piece in her heart: “The students at Woman’s Med. have forged their own paths. I wish to do the same.”After completing med school, Eliza accepts a position at the West Philadelphia Hospital alongside Dr. Patrick Callaghan, her former professor. As love blooms between them, Eliza balances her responsibilities to her career and to her family. After a devastating event, she takes a trip to Boston to visit her brothers and their loved ones and finds that a new life awaits her there. She must make difficult choices as she fights for her family, her vocation, and her lifelong dreams. Daly presents a well-researched story that weaves the fictional details of Eliza’s life with major, real-life historical events. Her careful crafting of each character, and her detailed, old-fashioned setting of each scene, encourages readers to root themselves in the moment, and as a result, they’ll feel emotionally invested in the protagonist’s every sadness and joy. Daly also develops Eliza’s family ties and shows her passion for social change through her career choices and her opinions, which have a strong feminist element. It results in a work that effectively showcases the power of love, friendship, and faith—both in one’s calling and in oneself—to create change in the world.

An often riveting fictional testament of a doctor’s life at the turn of the 20th century.

Pub Date: Aug. 25, 2022

ISBN: 978-1-68513-014-5

Page Count: 355

Publisher: Black Rose Writing

Review Posted Online: March 30, 2022

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE SWALLOWED MAN

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

A retelling of Pinocchio from Geppetto's point of view.

The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

Pub Date: Jan. 26, 2021

ISBN: 978-0-593-18887-3

Page Count: 208

Publisher: Riverhead

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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