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NAKED GIRL by Janna Brooke Wallack

NAKED GIRL

by Janna Brooke Wallack

Pub Date: March 9th, 2024
ISBN: 9798892125710
Publisher: Self

In Wallack’s novel, a brother and sister survive a shocking upbringing of drugs, cults, and neglect.

In 1979, Sienna (CeeCee) and Siddharta (Siddhi) Jones are 6 and 5 years old, respectively, living with their father, Jackson, in Miami—more specifically, in Xanadu. That’s the name of their house where Jackson sells drugs, leads a sex cult, and rants about the Bhagavad Gita. With their mother dead from an overdose (and their grandmother and aunt proving to be equally disappointing parental figures), they fend for themselves, watching, year after year, as different “Babies” (Jackson’s term for his sex-addicted followers-turned-drug-mules) come and go from Xanadu. They try in vain to get themselves adopted by a traditional family and even forge papers to enroll in the local elementary school, but all their efforts are in vain as Jackson’s drug-dealing cult only grows in size and ambition, slowly devouring the children’s innocence in the process. As the 1980s draw to a close and the siblings reach high school age, the author moves from CeeCee’s first-person narration to a shifting perspective as the adolescents come to terms with their strange, toxic father and begin to wonder how they could possibly move forward in the world without him. Manic walks through hurricanes, deadly overdoses, and even sexual assault are all parts of these children’s brutal world, but Wallack cleverly walks a tightrope in her writing, balancing the horrors with a child’s unwavering imagination and naïve sense of wonder (moments in which CeeCee instinctively shepherds Siddhi away from orgies are at once shocking, tender, and comical). The book’s latter half feels more aimless, unsure of where its characters should be heading, but CeeCee’s perspective remains surprising and engaging. It’s through her that the author develops a distinctive and emotionally rich voice delivering succinct observations as devastating as any of the horrible events themselves, such as her simple summary of how she felt others saw her family and Xanadu: “We were degenerate aliens. No matter what or where.”

An endearing and fascinating perspective on a uniquely volatile and dangerous childhood.