These fruits do not make a large enough splash in the pool; for the best fruit in the basket, check out the old favorite,...
Chapman (Vegetables in Underwear, 2015) is back with digital illustrations featuring anthropomorphic fruits.
The front endpapers identify each fruit by name (pineapple, grapefruit, cherry, apple, etc.) as it stands fully clothed, looking uncomfortable, especially a squalling baby pomegranate; the rear endpapers show the same fruits looking comfortable and happy in their swimsuits. Most of the vividly colored fruits shown are common and familiar, and most of them are wearing swimsuits (both the boy and girl kind), but although the all-caps text points out that “there are all kinds of suits,” it does not identify any of them by name, just by style or function. Oddly, there is not any mention of the word “swimsuit.” The cheerful strawberry narrator, wearing a red-and-green polka-dot swimsuit, explains to the grapefruit wearing a business suit that “If you want to go swimming you need a suit.” Although the picture of the baby pomegranate swimming in her “birthday suit” will elicit some giggles, kids may find it difficult to differentiate between a suit “for sunbathing” and a suit “for the shade” (for the shade?), a suit “for scuba” and a suit “for surfing” when worn by a brightly colored cartoon fruit with stick arms and legs.
These fruits do not make a large enough splash in the pool; for the best fruit in the basket, check out the old favorite, Sexton Freymann and Joost Elffers’ How Are You Peeling? (2004). (Picture book. 3-6)Pub Date: April 11, 2017
ISBN: 978-1-4197-2298-1
Page Count: 40
Publisher: Abrams Appleseed
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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