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THE THIRD CHIMPANZEE

THE EVOLUTION AND FUTURE OF THE HUMAN ANIMAL

Quirky arguments at times, yes, but generally Diamond is as sharp as his name.

Plenty of provocative ideas in this grand sweep of evolutionary biology and anthropology: not surprising for this MacArthur "genius'' Award-winner, Natural History columnist, and UCLA Medical School physiology professor.

With only 1.6 percent difference between the human genome and the genomes of two species of chimps, Diamond declares that we should call ourselves "the third chimpanzee.'' (Curiously, he fails to mention neoteny as making a world of genetic difference.) Diamond first reviews human evolution, ending with the great leap forward that he attributes to language. New in this area is a discussion of animal art and communication (e.g., bowerbird constructions, vervet-monkey talk) and creolization (the development of sophisticated human languages from pidgin forms). With respect to other human features, Diamond reprises all the theories you've ever heard about sexual behavior, selection, menstruation, menopause, etc. Ditto for aging. He steers a common- sense course between extremes, opting for the games-theory approach of optimizing one's genes and of group survival. Old-but-not-fertile elders are essential imparters of knowledge for the group. A chapter on self-destructive behaviors (smoking, drinking, drug abuse) offers the peculiar theory that we do it to advertise that we are really superior because we can flaunt handicaps! No mention is made of the fit of the chemicals to receptors in the brain and to circuits evoking pleasure. Later, drawing on his special knowledge of New Guinea, Australia, and Polynesia, and his research on birds, Diamond provides a fascinating if overwhelmingly pessimistic view of human predation through genocide, species and resource destruction, and potential nuclear disaster. Conclusions of continued human, species, and planetary destruction are inescapable, in spite of Diamond's optimism that we can learn from the past and some modest success he has had with conservation programs.

Quirky arguments at times, yes, but generally Diamond is as sharp as his name.

Pub Date: March 6, 1992

ISBN: 0-06-018307-1

Page Count: 304

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1992

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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