by Jared Leidich ‧ RELEASE DATE: Sept. 29, 2016
An essential guide for any scientist or engineer hoping to attempt a feat of derring-do.
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An aerospace engineer’s diary chronicles three years in the life of the interdisciplinary team that enabled the world’s highest sky dive.
In 2011, Alan Eustace, a pilot and avid sky diver, wanted to make a record-setting dive from 135,890 feet up. Then, as now, Eustace was a senior vice president at Google, so he was well-funded and well-connected enough to make his dream a reality. Debut author Leidich, a career engineer, helped design the spacesuit that Eustace would wear, and somewhere along the line, he became a kind of historian for the StratEx project. He explains the stakes that were involved: “At the time we started this endeavor, four people had ascended to the stratosphere with the intention of free-falling down. Two of them died.” For three years, the team worked to secure funding for, design, and test the balloon that would carry Eustace to the outer reaches of Earth’s atmosphere and create the suit and parachute that would enable him to safely return. Leidich’s book truly conveys the reality of the engineering process: “Design is meticulous and slow,” the author writes. “It is an intentionally dry and sober process of double, triple, and quadruple checking.” His account is replete with technical detail and doesn’t shy away from the difficulties that he and his cohorts faced. There were moments when tempers flared, office politics came into play, and team members found themselves wondering who was in charge. Leidich even details his own brush with death, when a test of the suit almost resulted in his suffocation. For all its drama and historic value, though, the book doesn’t say much about why the scientists and engineers of StratEx did what they did. Leidich very briefly notes that projects like StratEx are a steppingstone for an eventual journey to Mars, and the book would have been well-served by expanding on that idea. The author does makes a convincing, if somewhat frightening, argument for private space travel, though, when he remarks that only those who are willing to accept the possibility of death will succeed—because riskier projects are more affordable. Of NASA, he says that “a human-carrying spaceship made to their specifications cannot be made with the money and time they have.” This assertion alone could have supported an entire chapter.
An essential guide for any scientist or engineer hoping to attempt a feat of derring-do.Pub Date: Sept. 29, 2016
ISBN: 978-0-9976919-0-0
Page Count: 484
Publisher: Stratospheric Publishing
Review Posted Online: Dec. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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