THE WEST PASSAGE

Two hero(ine)s journey through a vast, crumbling palace that houses a surrealistic, decaying civilization.

Kew serves as apprentice to Hawthorn, the elderly Guardian of the West Passage. When Hawthorn dies, she tells Kew to warn Black Tower that the Beast will rise again, but she unfortunately fails to officially name him her successor, despite the fact that the Beast must be confronted by the Guardian. Kew therefore must leave Grey Tower and deliver the message to Black Tower, hoping that in return he will be named the next Hawthorn. The Beast’s slow emergence brings on a dangerously early winter; perhaps Black Tower could give the wheel of seasons a turn? Hoping to save the struggling people of Grey and to recover Hawthorn’s funeral mask (which Kew has taken), young Mother Yarrow of Grey House sets off in ineffectual pursuit. These two have separate adventures wandering through the crumbling, nearly uninhabited areas of the palace, where the remaining people engage in meaningless ritual: trying to teach apes to speak, concocting elaborate feasts that no one eats, issuing endless, pointless pronouncements that no one obeys, and so on. Meanwhile, the gigantic ruling Ladies of the palace are too self-involved to truly confront the crisis or to rule in general, having either gone mad or become more concerned with fighting the other Ladies for scraps of power. This is a vividly depicted, decidedly peculiar world governed by an inexplicable logic, where the seasons are determined by a vast wheel; people have animal, plant, or even inorganic characteristics; and rising up in the ranks of one’s profession might mean switching genders or undergoing other physical alterations. Its fablelike but off-kilter qualities and architectural setting will likely appeal to fans of Susanna Clarke’s Piranesi, Angélica Gorodischer’s Kalpa Imperial, and Josiah Bancroft’s Books of Babel series.

A curious, but curiously charming, allegory of a world in crisis.