by Jaron Lanier ‧ RELEASE DATE: June 19, 2018
The experiment could be a useful one, though it will darken the hearts of the dark lords—a winning argument all its own.
In a book whose title says it all, technoprophet Lanier (Dawn of the New Everything, 2017, etc.) weighs in against predatory technoprofit.
In a world of dogs, it’s better to be a cat. So, in this brief polemic, writes the author, who uses the animal terms advisedly: Dogs are easily trained to respond to stimuli, as Ivan Pavlov knew; humans are as easily trained, à la B.F. Skinner, when given proper rewards. “Dog whistles,” Lanier adds meaningfully, “can only be heard by dogs.” Cats, on the other hand, live in the world while somehow not being quite of it, a model for anyone seeking to get out of the grasp of algorithms and maybe go outside for a calming walk. The metaphor has value. So does the acronym BUMMER, which Lanier coins to sum up the many pieces of his argument: “Behavior of Users Modified, and Made into an Empire for Rent.” It’s a little clunky, but the author scores points with more direct notes: “E,” he writes, “is for Earning money from letting the worst assholes secretly screw with everyone else.” As we’re learning from the unfolding story of Cambridge Analytica, which just filed for bankruptcy, he’s got a point. Lanier advocates untethering from social media, which fosters addiction and anomie and generally makes us feel worse and more fearful about each other and the world. Continuing the dog metaphor, it—Lanier uses “media” as a singular noun, which, considering its monolithic nature, may no longer send grammarians screaming—also encourages pack behavior, howling at strangers and sounds in the night. His central objection, though, would seem to be this: “We have enshrined the belief that the only way to finance a connection between two people is through a third person who is paying to manipulate them.” If we accept that, then it’s self-evident why one would want to unplug.
The experiment could be a useful one, though it will darken the hearts of the dark lords—a winning argument all its own.Pub Date: June 19, 2018
ISBN: 978-1-250-19668-2
Page Count: 160
Publisher: Henry Holt
Review Posted Online: May 8, 2018
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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