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THE BOY WITH FLOWERS IN HIS HAIR

A sweet example of how to be a kind and supportive presence in the life of a struggling friend.

A hurting child regains his joy with the help of compassionate friends.

The story is told from the perspective of a dark-haired, tan-skinned boy who is the best friend of David, the titular pale-skinned boy with a mass of colorful blooms decorating his hair. Both David and his unnamed companion are part of a happy, bustling classroom that includes children with various hair textures and skin tones. No one bats an eye at David’s unusual coif, not even when it attracts bees or is hilariously inhabited by a family of birds. “But one day, something happened,” an allusion to an unspecified trauma. Once upbeat and talkative, David grows quiet, uninterested in play, and the flowers fall out of his hair. He starts wearing a hat to cover his “twiggy, spiky, and brittle” head. At first, David’s classmates are unnerved by the change and avoid him. But when his best buddy stays by his side and begins crafting painted paper flowers for David’s hair, the other children quickly join in. Slowly, David’s spark returns, and eventually his original blossoms do, too. His best friend keeps a box of the paper flowers “in case he ever needs them, because he's my best friend, and I am his.” Accompanied by beautiful, uncluttered digital images against lots of white space, Jarvis’ simple, gentle story gives adults room to explain David’s hardship to young readers in their own ways. (This book was reviewed digitally.)

A sweet example of how to be a kind and supportive presence in the life of a struggling friend. (Picture book. 4-7)

Pub Date: April 26, 2022

ISBN: 978-1-5362-2522-8

Page Count: 32

Publisher: Candlewick

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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