A captivating, respectful portrait of a dynamic American woman who made history.
Dare to ask questions; dare to demand answers.
As a child, Carrie Chapman Catt (1859-1947) questioned why women couldn’t vote. She became a tireless fighter in the battle for women’s suffrage and marched, made speeches, and traveled around the United States to promote the cause. Eventually, she questioned the movement itself because Black and working-class White women were excluded. Carrie also asked why strategies to attract women to the movement couldn’t be more creative. In New York, she and her romantic partner Mary Garrett Hay galvanized women into bold, exciting action. The First World War proved the turning point: The men of New York state—who voted in favor of women’s suffrage in 1917, after acknowledging they’d filled male jobs when men went to war—and President Woodrow Wilson took note. In 1919, Congress passed the 19th Amendment, granting voting rights to all American women (though the book doesn’t specifically note that many Black women were still deprived of that right for decades, backmatter states that the right to vote “was, and still is, often denied to many U.S. citizens"). This concise, insightful account allows readers to focus on the salient points of Catt’s work and should inspire them to follow suit and support causes they are passionate about. Energetic, humorous visuals are enhanced by varied fonts and playful text placements. (This book was reviewed digitally.)
A captivating, respectful portrait of a dynamic American woman who made history. (author’s note, about Carrie Chapman Catt, photo) (Informational picture book. 6-9)Pub Date: July 11, 2023
ISBN: 9781454934578
Page Count: 48
Publisher: Union Square Kids
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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