by Jason Berry ‧ RELEASE DATE: Nov. 12, 2018
Every major city should have such a guide to its past.
A vivid evocation of the Big Easy, whose nickname sidesteps three centuries of uneasy history.
Writer and documentary film producer Berry (Render Unto Rome: The Secret Life of Money in the Catholic Church, 2012, etc.) opens with a juxtaposition of two important moments in the recent history of New Orleans: the 2015 funeral of musical legend Allen Toussaint, which “resembled an affair of state,” and the fiery debate over removing Confederate statues from the city’s public places. This “clash of icons” speaks to the significant question of what the city’s history really is: Is New Orleans a space where transformative works of art and music have been born or a place where some of the worst angels of our nature have been let loose? The answer, of course, is both. Borrowing the thought from novelist Walker Percy that the people of New Orleans are “happiest when making money, caring for the dead, or ‘putting on masks at Mardi Gras so nobody knows who they are,’ " Berry explores key moments in the clash of cultures and powers. Carved out of the scrubby Mississippi River lowlands as an entrepôt and anchor for France’s inland empire, New Orleans was, by its 10th year, “a black majority town with slave labor.” Indians were enslaved, too, even as the French concluded treaties with faraway Indian nations. The city was affected by both the Reign of Terror in Paris and the slave revolt in Saint-Domingue, both of which indirectly led to the acquisition of New Orleans as part of Thomas Jefferson’s Louisiana Purchase—said the seller, a cash-strapped Napoleon Bonaparte, “I renounce it with the greatest regret….I require money.” Confederate center, strategically important port, birthplace of jazz, setting of tragedy and disaster, and now a site of gentrification: Berry nimbly covers New Orleans in all its aspects over 300 years, “a map of the world in miniature, a blue city floating against the odds of sea rise and climate convulsions, blue forever in its long sweet song.”
Every major city should have such a guide to its past.Pub Date: Nov. 12, 2018
ISBN: 978-1-4696-4714-2
Page Count: 424
Publisher: Univ. of North Carolina
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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