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ORCA

HOW WE CAME TO KNOW AND LOVE THE OCEAN'S GREATEST PREDATOR

A good choice for serious fans of Pacific Northwest and marine history but information overload for mere lovers of all the...

The history of Orcinus orca, from its days as both a cultural icon of the Pacific Northwest and a dangerous pest to marine fishermen and whalers to stardom as a performer at marine theme parks.

Environmentalist Colby (History/Univ. of Victoria; The Business of Empire: United Fruit, Race, and U.S. Expansion in Central America, 2011, etc.) reports on one species and concentrates on one brief period of time, in contrast to Nick Pyenson’s Spying on Whales, which looks with a scientist’s eye at whales of all kinds in the distant past, present, and possible future. Colby’s story is also focused on the human relationships with orcas. His history is filled with the names of the men who attempted to capture killer whales, those who met with increasing success, the entrepreneurs who capitalized on whales, and the names of the whales that were caught. Readers will meet Namu, Kandu, Skanda, Taku, Haida, Chimo, and, perhaps the most famous one of all, Shamu (a name given to many after the original). For decades, catching and selling whales was big business, and as captive display animals at places like Sea World, killer whales became public favorites for their spectacular performances and their strikingly handsome black-and-white coloration. Captivity also meant that scientists could study orcas in ways not previously possible. By the 1970s, the environmental movement had become a subject of mainstream politics, and activists took up the issue of whale conservation. The author delves into the conflicts over regulation as protestors tangled with businesses, scientists with fisherman, and fishermen with government officials. Anecdotes abound. The cast of characters is enormous, and readers may find themselves struggling to keep the names straight.

A good choice for serious fans of Pacific Northwest and marine history but information overload for mere lovers of all the Shamus and their ilk.

Pub Date: June 1, 2018

ISBN: 978-0-19-067309-3

Page Count: 392

Publisher: Oxford Univ.

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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