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236 POUNDS OF CLASS VICE PRESIDENT

A MEMOIR OF TEENAGE INSECURITY, OBESITY, AND VIRGINITY

A young writer finds once more that it isn't too early to look back on his life and laugh out loud.

Mulgrew (Everything Is Wrong with Me, 2010) returns to his formative years at an exclusive prep school for bright boys and finds a ton of absurdist comedy gold to mine.

As a teen, the author enjoyed growing up in a close-knit, lower-middle-class neighborhood in Philadelphia, where scrapes were common and everybody knew your business. But Mulgrew also pined for the rarified atmosphere of elevated learning offered by Saint Joseph's Preparatory School. The author has a good sense of comic timing, whether he’s relating his introduction to the wonderful world of self-gratification or describing his penchant for wearing a full-length fur cape around school grounds. Mulgrew's cynical run for class vice president serves as the penultimate moment of his often-raucous recollections, but there are plenty of other hilarious vignettes along the way. Luckless in love, the author also garners both compassion and condemnation for his feckless way with women. Characters from Mulgrew's previous memoir, like his two-fisted dad and no-nonsense mom, make return appearances that are both funny and profound. Relentlessly self-deprecating yet unabashedly accepting, the author displays a palpable sense of humanity. Things only slightly slow down and threaten to veer into potentially pretentious territory when Mulgrew runs down his all-time favorite songs. He quickly redeems himself, however, with an emotionally honest story involving his father and a rebuilt motorcycle that the ill-equipped son cannot possibly master.

A young writer finds once more that it isn't too early to look back on his life and laugh out loud.

Pub Date: Feb. 12, 2013

ISBN: 978-0-06-208083-7

Page Count: 240

Publisher: Perennial/HarperCollins

Review Posted Online: Dec. 12, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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