A glorious bundle of horror stories that readers will find entertaining and unnerving.
Parent offers tales of terrifying and potentially deadly happenings, set around the October 31st holiday.
In the opening story, “Russian Dollhouse,” high school freshman Kit reluctantly takes her younger brother trick-or-treating. Her mood brightens when she runs into Jordan, a sophomore she has a crush on. She’ll happily go anywhere with him, even if it means venturing inside an abandoned house, where other kids reputedly went missing decades ago. Unexpectedly, that house has new decorations for the holiday—almost as if it’s trying to draw in unsuspecting youth. All 10 of this book’s tales unfold on or near Halloween; some include trick-or-treaters, although not all of them are harmless kids. For example, Carlos in “Keeping Up Appearances” runs an armed crew that goes door-to-door and demands much more than candy. However, when they knock on the door of one especially odd family, they get a very unwelcome surprise. These somber tales cover other October happenings, as well, including Mischief Night (traditionally the night before Halloween) and a haunted hayride. The cast, too, ranges from naïve children and a candy-swiping eighth-grade bully to a spouse who’s starting to regret his illicit affair. The longest story, “Dia De Los Muertos,” is also the best, featuring a U.S. Army gunner Russell Thompkins who’s AWOL in Mexico. As locals celebrate the Day of the Dead, his post-traumatic stress disorder dredges up memories of a Taliban assault during his second tour in Afghanistan. What happened to him back then, and what’s been affecting him ever since, is truly unspeakable.
Over the course of these tales, Parent hits on several reliable horror tropes: Creepy houses stir up anxiety, the telling of scary stories begets more frightening realities, and trick-or-treat bags and pillowcases hold hidden terrors. The collection features several unlikable characters who arguably deserve their grisly fates, but there are just as many that will elicit reader sympathy. Eleven-year-old Danielle, for one, has an understandable fear of alligators in “A Not-So-Scary Halloween,” and a holiday in Orlando, Florida, with her relatives puts her on high alert. Most of the stories trek into grim territory and contain violent, often grotesque imagery with lots of chunky bits, spurting blood, and biting teeth. There’s humor in these tales, as well, but it’s of a dark variety that complements the horrific goings-on, as in “Pulp,” which follows a film club’s Halloween party that—for one teenager, at least—becomes a real-life horror movie. Overall, the book is a fun read, and horror fans will appreciate its numerous nods to classic genre films (some of the players even share names with famous directors, actors, and cinematic characters). Parent also skillfully generates suspense with deft descriptive passages, as in the story “Rain”: “Lightning flashed through the house, casting Dad’s shadow long and thin up the wall and over the ceiling. Thunder followed quickly, crashing so violently that it rattled the picture frames hanging on the wall, knocking one askew.”
A glorious bundle of horror stories that readers will find entertaining and unnerving.Pub Date: Sept. 24, 2024
ISBN: 9798336822137
Page Count: 244
Publisher: Corpus Press
Review Posted Online: Aug. 28, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
