by Jason Perkins ; illustrated by Cale Atkinson ‧ RELEASE DATE: Nov. 14, 2023
There’s only one perfect rock-star baby in the world—and every parent has one.
ROCK-a-bye, baby!
Jimmy was born to rock and roll: His loud wails in the hospital nursery prove he’s a star as he out-shrieks the other newborns. As Jimmy grows, he wows crowds everywhere—the highchair, the bedroom (where he and Mama, his “biggest fan,” “rocked the nights away”)—the playground, the supermarket. When Mama announces that it’s naptime, the star decides that’s not in his contract and quickly rocks out of control—biting, scribbling on walls, and staging an epic tantrum—until, finally tuckered out, the rocker settles into his biggest fan’s arms and snoozes the night away. Much of the text employs snippets of classic rock lyrics, mostly from ’60s-’80s tunes. The author is self-referential, conveying his obvious musical passions and love of parenting. The book has an adult, tongue-in-cheek sensibility, appealing more to knowing parents of babies than to child readers; this will make a fun gift for baby showers and new parents. Many young parents, however, may not recognize references to some of the older classic rock tunes and will certainly benefit from the song list in the backmatter; it’s too bad a QR code isn’t included. The comic, cartoony digital illustrations are dynamic and depict the "superstar" infant and his parents as brown-skinned.
There’s only one perfect rock-star baby in the world—and every parent has one. (Picture book. 4-7)Pub Date: Nov. 14, 2023
ISBN: 9780063158429
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
by Valerie Bolling ; illustrated by Maine Diaz ‧ RELEASE DATE: March 3, 2020
The snappy text will get toes tapping, but the information it carries is limited.
Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Valerie Bolling & Kailei Pew ; illustrated by Laylie Frazier
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by Valerie Bolling ; illustrated by Kaylani Juanita
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by Valerie Bolling ; illustrated by Sabrena Khadija
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