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A SOLDIER AGAINST ALL ODDS

An engrossing, warts-and-all view of Army life, simultaneously irreverent and inspiring.

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A United States Army officer battles a learning disability, office politics, and his own worst instincts in Pike’s memoir.

The author, a retired lieutenant colonel in the U.S. Army, begins his narrative with his boyhood in Georgia and South Carolina, describing his struggle with a learning disability that made it difficult for him to read, write, or absorb complex instructions. At loose ends, he joined the Army National Guard in 1982 at the age of 17 and endured a brutal stint of basic training under a sadistic drill sergeant, an ordeal that instilled in him the conviction that “nothing is impossible if you can get enough training.” Pike applied that dictum to simple matters like making his bed and fieldstripping his M16, then to more complex tasks like completing college and earning two postgraduate degrees. He continued on to a military career as an Army entomologist and medical officer responsible for sanitation, hygiene, and combating insect-borne illnesses, eventually commanding units in South Korea and Afghanistan. But he continued to struggle with setbacks, including a DUI arrest (which could have ended his career if not for some adroit bureaucratic maneuvering) and a feud with colleagues that culminated in false charges of pedophilia and spying. As he unspools this history, the author also pays colorful tribute to his hardscrabble family—particularly his father, a sales executive who escaped dire poverty but retained a roguish streak that he inculcated in his son through watermelon-stealing lessons and a rough-and-ready attitude (“He liked a man who played football or baseball, because that meant he was a team player, and if making that touchdown required a fist to the balls or a handful of sand in the eyes, he had no problem with that”).

Pike delivers a canny, wised-up, decidedly unheroic portrait of military service, told from the perspective of an insider who does his duty as well as he can while understanding that the key to success is learning to navigate power plays and manipulate ponderous Army bureaucracy (he once managed to get an application for a transfer processed by the expedient of attaching a $1 bill to the paperwork to catch a clerk’s eye). In his telling, he was simultaneously a shrewd operator and a compulsive, sometimes self-defeating maverick who was forever getting chewed out, both by superiors and low-ranking subordinates. (“Sir! You are an officer! Why would you steal an enlisted person’s lunch?”). The narrative is full of hang-dog comedy, from a tumble into a cesspool to an Airborne School hazing ritual (“In my case, I had to stand naked in the doorway of an aircraft…holding on to the sides that had been rigged with an electrical current”), all rendered in pungent prose with vivid, absurdist detail rooted in evocative, sharply observed psychology and vivid characterizations (“His was a microworld, a fiefdom slowly built over many years, almost like an academic version of Apocalypse Now,” he writes of one entomologist rival; “He had a way of ingratiating and smiling that did nothing to hide his fury”). Pike perseveres with good humor and a persistent belief that service in the military was worth the travails and indignities he suffered along the way.

An engrossing, warts-and-all view of Army life, simultaneously irreverent and inspiring.

Pub Date: Jan. 10, 2023

ISBN: 9798371034502

Page Count: 275

Publisher: Independently Published

Review Posted Online: April 25, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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