by Jason Sokol ‧ RELEASE DATE: Aug. 24, 2006
A valuable complement to Taylor Branch’s At Canaan’s Edge (2006) and Diane McWhorter’s Carry Me Home (2001).
A well-conceived study of the changes in thought and being that swept the white South as its privileged position came under challenge in the Civil Rights era.
There is no single white southern culture, and in this debut book, historian Sokol notes that the simpleminded designation of white southerners simply as racist obscures the fact that their “racial attitudes and behavior frequently revealed a confused and conflicted people, at times divided within and against themselves.” They had much to be confused about, for many whites prided themselves on knowing what black people thought and, what is more, knowing what was best for them. They found out otherwise. The advent of WWII, racially mixed military units and integrated combat situations in which soldiers of whatever ethnic group were afraid and brave in equal measure, all helped alter the temper of the South; in particular, educated southerners began to publicly endorse the notion that vanquishing fascism abroad should be extended to vanquishing Jim Crow at home. Even so, change “was a partial and messy process” in which entrenched southerners such as Georgia restaurateur and politician Lester Maddox fought integration every step of the way, even as others accepted—some very reluctantly—the reality that the old way of life was gone forever. Sokol examines several agents of change, one of them old-fashioned peer pressure: In the case of Memphis restaurants, for instance, black protestors and the federal government faced less contempt than did “proprietors who stubbornly clung to white supremacy while others integrated.” White southerners, in other words, pushed white southerners along. But they have not yet arrived: drawing on wide-ranging interviews, Sokol shows that the process of integration and accommodation is ongoing, yet still “agonizingly slow . . . in deference to the rhythms and preferences of whites’ lives.”
A valuable complement to Taylor Branch’s At Canaan’s Edge (2006) and Diane McWhorter’s Carry Me Home (2001).Pub Date: Aug. 24, 2006
ISBN: 0-307-26356-8
Page Count: 416
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2006
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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