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SAVAGE LANE

Clumsy prose and a dull plot that’s anything but erotic.

Starr throws everything from scheming wives to child rape to crabs (and not the type one finds on a restaurant menu) into his latest effort.

Savage Lane is home to the beautiful Karen and her two children, Elana, 16, and 10-year-old Matthew. Their neighbors Mark Berman and his wife, Deb, along with their two children, Riley, age 16, and Justin, who’s 12, have an odd relationship with Karen and her family. While the children are good friends, Mark is close to Karen, who is a single parent. Mark spends his time either texting with her or dreaming about sex with her. They’re friends for now, but Mark fantasizes it will one day become more. As for Deb, she’s jealous of Mark’s relationship with Karen, but even though they argue nonstop about his fascination with another woman, Deb’s also cheating—with an 18-year-old high school student named Owen Harrison. She talks about ending it with Owen but keeps having assignations with the boy until things get out of hand and a murder occurs. When Karen is suspected, everything goes awry, and soon, the private lives of Savage Lane are made public. There’s no one point at which this novel goes downhill. The slide starts from the very first page, and readers—at least the ones who manage to stick with it to the end of the book—will find themselves wading through clumsy sex scenes and a thin, barely existent plot. The characters spend their time thinking about sex, talking about sex, texting one another about sex, and having sex, but the book’s not at all sensuous. With wooden dialogue, little atmosphere or sense of place, and absolutely nothing in the way of character development, Starr’s latest effort reads as if it were ripped from the imagination of a pubescent boy.

Clumsy prose and a dull plot that’s anything but erotic.

Pub Date: Oct. 13, 2015

ISBN: 978-1-940610-64-1

Page Count: 336

Publisher: Polis Books

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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