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LETTERMAN

THE LAST GIANT OF LATE NIGHT

This incisive, illuminating book shows the personal toll that success took on all responsible, the price paid for laughs.

The tale of a tormented TV star and his legacy.

This is a critical biography, not in the sense of being negative (although there are parts that Letterman won’t like, since he doesn’t seem to like much), but as a work of criticism that focuses on the inner workings of a TV career rather than any life away from show business. “Years before the term ‘Generation X’ moved into circulation, David Letterman made ironic detachment seem like the most sensible way to approach the world,” writes New York Times comedy critic Zinoman (Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror, 2011) in this sharp, revealing biography. Such an attitude would establish him as a generational spokesman during an era of political apathy. Yet Letterman was more obsessed than detached, a “spectacularly committed hypochondriac,” a self-lacerating critic of his own show, and a performer who had to be pushed out of his comfort zone for his paradigm-shifting innovations. Though he played his eccentricities and insecurities for laughs, they were no laughing matter for the staff that was crucial in the development of his comedic dynamic, the writers who so often found themselves isolated (or occasionally berated) by the boss they were trying so desperately to please. The most significant of these collaborators was Merrill Markoe, his partner and foil from his early stint on daytime TV, who, “as much as anyone…helped invent the aesthetic of David Letterman.” Most of the rest were men, frequently from Harvard, and the boys’ club atmosphere became more of a problem as Letterman’s sexual relations with female interns became public. Zinoman’s analysis is often refreshingly counterintuitive: Letterman was a good interviewer. He recast and renewed himself during the writers’ strike. He didn’t fail as Oscar host. He was even more miserable as the winner of the late-night ratings war than he had been as the underdog.

This incisive, illuminating book shows the personal toll that success took on all responsible, the price paid for laughs.

Pub Date: April 11, 2017

ISBN: 978-0-06-237721-0

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2017

Kirkus Reviews Issue: March 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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