A clever cocktail of psychological thriller and supernatural horror.
A young psychiatrist goes head-to-head with a patient with a reputation for driving caregivers mad.
It’s 2008, and Parker, the narrator of DeWitt’s crisp and creepy debut, is moved to blog about his experience treating Joe, an institutionalized young man with a terrifying ability to exploit others’ worst fears. Previous doctors have given up on Joe, left emotionally shaken by him; on Parker’s first day, one orderly exits Joe’s asylum room in hysterics, and soon after his nurse kills herself in despair. Still, Parker plunges in, inspired by youthful determination and a commitment to his profession. (His mother’s mental illness inspired him to pursue psychiatry.) Joe is initially polite and seemingly sane, an experience that cues a series of twists until Parker discovers the truth about whether Joe is misunderstood, mad, or something harder to define. DeWitt’s story exploits some well-worn tropes (“lunatics running the asylum” prominent among them) and nakedly evokes The Exorcist and Dracula (Parker’s name seems an homage to Stoker’s Jonathan Harker); subplots involving Parker’s fiancee and the asylum’s administration don’t have much life to them, and the nurse’s early departure spares the reader extended time with her clichéd Irish accent. But the central plot and storytelling are gripping, built on smart psychological parrying and good old-fashioned gross-outs: Parker recalls his mom pleading for help because “the damn maggots won’t crawl out of me, baby,” and Joe says he was haunted by a creature with “fly eyes and two big, superstrong spider arms” that “eats bad thoughts.” The story’s blog format gives the novel a casual, galloping pace (DeWitt posted an early version to a Reddit horror-fiction community), and the climactic confrontations between Parker and Joe are entertainingly intense.
A clever cocktail of psychological thriller and supernatural horror.Pub Date: July 7, 2020
ISBN: 978-0-358-18176-7
Page Count: 224
Publisher: Houghton Mifflin Harcourt
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
An entertaining thriller if you can give yourself over to its sillier plot devices.
Sager returns with his take on a gothic whodunit set on the coast of Maine.
The year is 1983. Kit McDeere is a disgraced home caregiver who has one chance to redeem herself: She's assigned to look after the ailing, elderly Lenora Hope, a local Lizzie Borden figure. Back in 1929, Lenora allegedly murdered her parents and sister, and now, along with her remaining staff, she resides at Hope’s End, the Gothic mansion on Maine’s crumbling cliffs where the murders took place. Lenora can't speak following a series of strokes, but with Kit’s help, she can type, and she wants to tell her story once and for all, confiding in Kit what happened on the night of the infamous murders. The novel moves between Kit’s narration in the present and Lenora’s typewritten account of her life leading up to the incident. Early on, the novel evokes such genre classics as “The Fall of the House of Usher” and Rebecca, establishing a moody atmosphere and intriguingly suspicious characters. However, this novel lacks the psychological realism of its influences. Sager doesn’t play with gothic tropes so much as he simply traffics in them. The first half of the book is tense and propulsive, but in later chapters the narrative takes so many outlandish turns so quickly that it borders on camp. Characters act in ways that are clichéd and implausible, and they are given cartoonish dialogue to match their behavior. Villains confess easily, in long speeches that strain credulity, and a subplot around paternity takes on the flavor of a telenovela. Multiple scenes involve characters emerging from doorways to reveal they were there all along. (Gasp!) That said, the novel reads quickly and provides a thrilling, if goofy, ride for those with a high tolerance for plot hijinks and a fondness for Guillermo del Toro’s Crimson Peak.
An entertaining thriller if you can give yourself over to its sillier plot devices.Pub Date: June 20, 2023
ISBN: 9780593183229
Page Count: 400
Publisher: Dutton
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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