Your appreciation of Fforde will depend solely on your tolerance for self-conscious, and occasionally slick, literary...
Any intersection between Fforde’s novels and a recognizably real world are almost entirely coincidental, for he’s most at home in constructing insouciant (and elaborate) literary fantasies.
Thursday Next, the protagonist of many of the author's previous novels, is back…or rather, she’s not, for she’s the missing girl of the title. And although she vanishes, the written Thursday Next does not. The plot involves the search for the “real” Thursday Next, when she disappears a week before peace talks preceding the possible outbreak of a genre war, so the written Thursday Next sets out to find her. (Yes, it’s all a bit confusing, and Fforde has great fun ringing changes on this confusion.) Written Thursday Next is on the case, exploring the various byways of BookWorld and eventually going up the mighty Metaphoric River, with its echoes of Conrad. Of course, in Fforde’s fictive world almost everything has some kind of literary echo: Cabbies take the written Thursday to Norland Park (from Sense and Sensibility); she meets Jay Gatsby’s less famous brother, the Loser Gatsby (younger sibling to the Mediocre Gatsby); she learns that Heathcliff is riding the same train she is (and notes “a lot of screaming and fainting girls on the platform whenever we stopped”); has drinks at the Bar Humbug; and comes across signs like “Do Not Feed the Ambiguity.” Fforde, of course, finds all of this highly diverting and even includes sly references to The Eyre Affair, an earlier Thursday Next novel. To appreciate Fforde, it’s both helpful and essential for a reader to have a substantial literary background. While some of the gags are sly and work well (for example, the confusion about whether a character named Red Herring is actually a red herring), others are rather forced and seem to exist solely for the sake of a punch line (“I think we’ve driven into a mimefield”).
Your appreciation of Fforde will depend solely on your tolerance for self-conscious, and occasionally slick, literary cleverness.Pub Date: March 8, 2011
ISBN: 978-0-670-02252-6
Page Count: 384
Publisher: Viking
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
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