Likely the most silly-fun you can have with star-crossed lovers fighting the absurdity of an unjust world.
A young couple in the near future dares to lift the curtain on their hierarchical society, which segregates its population based on the colors they can—and can’t—see.
Though it’s been 15 years since Fforde published Shades of Grey (2009), this long-awaited sequel picks up right where things left off. Eddie Russett, a high-seeing Red, is still new to the fringe town of East Carmine, and his infatuation with daredevil Jane Grey, recently dubbed Jane Brunswick for her ability to see a small percentage of Green, is expanding his horizons in more ways than one. While society sees their fraternization as illegal—“It was one of the crueller Rules….If you were on the opposite side of the colour wheel, you’d be compelled to be on nodding terms for the rest of your lives”—Jane has encouraged Eddie not to care. And while it’s ingrained in Eddie to believe that if you question the Colourtocracy, you could die for it, he hasn’t caught the Mildew—the “disease” that suspiciously takes people when they are no longer useful to society—just yet. If he and Jane can bend one rule and survive, what else is not as black-and-white as it seems? If all this has you thinking of West Side Story and its inspiration, Romeo and Juliet, you’re bang on. Puns and references to the world as we know it are numerous, direct, and often absurdly funny, à la Terry Pratchett’s Discworld series. Fforde expertly interlaces the most serious existential discussions with humor, favoring fun over drama—a most notable, laugh-out-loud example being the consultation of the Parker Brothers’ RISK Map to explore the possibility of there being a Somewhere Else. While this is generally a refreshing spin on the life-after-apocalypse genre, it hasn’t escaped a mild case of middle-book syndrome. The hyperfixation on dismantling the corrupt Colourtocracy makes the plot feel more formulaic as it builds toward the big revelation, undoubtedly setting up the final act.
Likely the most silly-fun you can have with star-crossed lovers fighting the absurdity of an unjust world.Pub Date: May 7, 2024
ISBN: 9781641296281
Page Count: 456
Publisher: Soho
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.
The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.
Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.Pub Date: Oct. 29, 2024
ISBN: 9780063396524
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
