Literary know-it-alls will cackle over the reappearance of Millon de Floss, the Hay-on-Wye reference, and the notion that...
The seventh romp through time, space, and literary arcana for beleaguered superheroine Thursday Next (One of Our Thursdays is Missing, 2011, etc.).
Thursday’s going through a bad patch. She’s walked with a cane since a botched assassination attempt. She’s lost the chance to head up SO-27, the Special Ops Network, to Phoebe Smalls, and has been made chief librarian at the Wessex All-You-Can-Eat-at-Fatso’s Drink Not Included Library Service instead. She frets over the kidnapping of her daughter, Jenny, who’s nothing more than a mind worm planted in her memory by her nemesis, Aornis. Her son Friday, who expected to be one of the Chronoguard elite and repeatedly rescue civilization, has received a Letter of Destiny telling him that he’ll kill Gavin Watkins and spend the next 40 years in prison. Her genius child Tuesday is having difficulty producing a shield that will annul the asteroid-smiting scheduled to descend on Swindon in a day or so. And every so often, Thursday realizes she isn’t herself anymore, but a Day Player, one of several synthetic replicas of herself let loose by Krantz in violation of the Unlicensed Nonevolutionary Life-Forms on the Mainland Act. Are Goliath, the scourge of the world conglomerate, and Jack Schitt, intent on planetary domination, responsible for any of this? Not the immediate problem, as Thursday must first figure out why racy 13th-century novels of St. Zvlkx are being vandalized, deal with Enid Blyton aficionados who favor the very unpolitically correct versions of her works, and escort the Righteous Man to the smite zone, where his presence will skew the incoming smite further out of town. Looming on the horizon is the dreaded confrontation with the Dark Reading Matter.
Literary know-it-alls will cackle over the reappearance of Millon de Floss, the Hay-on-Wye reference, and the notion that books and their upkeep really matter. Those less addicted to puns, time warps, and intergalactic humor will reach for the Excedrin.Pub Date: Oct. 2, 2012
ISBN: 978-0-670-02502-2
Page Count: 384
Publisher: Viking
Review Posted Online: Aug. 20, 2012
Kirkus Reviews Issue: Sept. 1, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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