by Javad Djavahery ; translated by Emma Ramadan ‧ RELEASE DATE: Feb. 11, 2020
Vivid, shattering, and utterly memorable.
Searing novel, by Iranian exile Djavahery, of love and betrayal in a time of revolution.
“If we were to have a reunion one day, it would have to take place in a cemetery.” In his English-language debut, screenwriter/novelist Djavahery writes pensively of an unnamed young man, just 13 when we meet him, who is hopelessly smitten by his 16-year-old cousin, Niloufar, whose name means “water lily” in Farsi. She is beautiful, with long, black, curly hair and large eyes, and she swims like a dolphin in the cool waters of the Caspian Sea, carefree thanks to prosperous parents who are also members of the Communist Party: “Wealth, power, an elegant mother who looked like a Hollywood starlet…so different from the archetype of our mothers.” Like a figure out of Homer, Nilou also happens to have numerous suitors, two in the lead, one as beautiful as she, the other a klutz with the demeanor of a “beaten dog” whom our narrator lures into a compromising situation that will forever shame him. Not even the arrival of another cousin, half Iranian and half German, who sports “the tiniest bikini on the south coast of the Caspian” can dim the ardor of the local boys for Nilou. Come the revolution of Ayatollah Khomeini a few years later, and all those golden youth face doom. Called into service in the war that soon erupts with Iraq, some are squandered in suicide attacks while Nilou disappears, joining a leftist revolutionary group in Kurdistan, or so the narrator believes. A comrade eventually betrays her, as will her cousin, who, having also joined a Communist cell, decides that he cannot face the torture that is visited on him when he’s captured. At times reminiscent of Giorgio Bassani’s Garden of the Finzi-Continis, Djavahery’s novel is an aching evocation of a paradise lost, one that is impossible to regain, even in our narrator’s searching dreams.
Vivid, shattering, and utterly memorable.Pub Date: Feb. 11, 2020
ISBN: 978-1-63206-243-7
Page Count: 256
Publisher: Restless Books
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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