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OUTLAWS

Memory, contrition, love and loss all permeate this thoughtful contemplation on the generation of radical adolescents that...

The spectacular rise and dizzying fall of a legendary Spanish desperado.

Memory, contrition, love and loss all permeate this thoughtful contemplation on the generation of radical adolescents that emerged in Spain in its post-Franco years. With an autobiographical air, Cercas (The Anatomy of a Moment, 2011, etc.) crafts a vibrant yet realistic portrait of two teenage boys who find themselves in very different circumstances in adulthood. The voice of the novel comes from Ignacio Cañas, a retired criminal defense lawyer who is being interviewed by an unnamed journalist about his early relationship with a charismatic criminal, Antonio Gamallo, who is known to Spain as “El Zarco.” In the book’s first half, we learn how the bookish, fainthearted Cañas falls in with the blue-eyed Zarco and his exotic female companion, Tere, in the late 1970s. Their deal is based around a simple bargain: “You scratch my back, I’ll scratch yours.” The drug-fueled, rebellious trio soon graduates from burglary to robbing banks. When Cañas is freed by a sympathetic police officer named Inspector Cuenca, it sets him on a different path than his felonious friends. A quarter-century later, Tere reappears in his office with María Vela, Zarco’s girlfriend, with a plea for Cañas to lead the outlaw’s defense. It’s a compelling, drawn-out story with rich period detail and emotional depth. The first half has the flavor of Jim Carroll’s post-punk autobiographical novels, while the chronicle of Zarco’s criminal career recalls the many books and films about French gangster Jacques Mesrine. It’s also hard not to feel the swirl of emotions experienced by Cañas as he wrestles with his feelings about his childhood friend and the long attraction he's held for Tere, whose role in keeping Zarco’s secrets leaves her largely at arm’s length from the rest of the world. It’s unusual for a story about popular folklore to be so grounded, but Cercas navigates this difficult maneuver with grace. A rewarding and complex novel about finding the man behind the myths.

Pub Date: Aug. 12, 2014

ISBN: 978-1-62040-325-9

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: June 30, 2014

Kirkus Reviews Issue: July 15, 2014

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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