A delicious, scalding cup of satire.
In this debut satire, a trendy numerical rating system determines the fates of individuals.
Philip Goodwin is trapped in a loveless marriage. The problem is that he has a great sense of humor, while his wife, Sheila, is “Hypo-Humoresque”—completely without humor. Their plight is worsened when “Data Snatcher” Alex Pragat creates the Pragat Personal Rating system, which—like the Zagat restaurant rating system—appoints numerical values to people. This seems innocent enough, except that “[w]ithin months of the website’s launch, an individual’s PPR came to define for one and all the worth of an individual to society.” Despite Philip’s decent rating, Sheila cheats on him with their marriage counselor. This prompts the middle-aged romantic to search for new love, which he finds in the ravishing Sophie D’Amour. She and Philip realize they’re perfect for each other. But after a few unforgettable dates, Sophie reveals that she’s a “habitual and compulsive trespasser”—a crime for which she’s then arrested. As a result, Philip struggles with loneliness. Sheila, meanwhile, is struck by a lightning bolt of astounding power. The accident hospitalizes her, but she glows (literally) with celebrity allure. Philip tries to retain his privacy, and sanity, as events spin out of control. Debut author Begler is a fabulously skilled comedian capable of winsome asides and ruthlessly ribald jabs. His gonzo narrative skewers many of modern society’s most controversial subjects: privacy rights, health care and class division. His extended commentaries often feature moments of surreal wonder, as with “a low-flying, small black cloud, which to all eyewitnesses, not one exception, resembled a profile of Abraham Lincoln wearing a baseball cap.” Begler’s exuberant cleverness is perhaps most cutting when focused on the rich and famous: “Several celebrities were brave enough to place their heads directly into [Sheila’s] mysterious light,” which grants instant face-lifts. Sometimes, however, Begler throws too many jokes at the wall, and not everything sticks—a small price for admission into this wonderland.
A delicious, scalding cup of satire.Pub Date: April 3, 2014
ISBN: 978-1-4928-5301-5
Page Count: 308
Publisher: CreateSpace
Review Posted Online: May 16, 2014
Kirkus Reviews Issue: June 15, 2014
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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