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WILD

AN ELEMENTAL JOURNEY

Griffith’s love for words and her skill in using them, her easy familiarity with a host of poets, novelists, naturalists and...

An exuberant and erudite exploration of the meaning of wilderness and its place in our lives.

Griffiths (A Sideways Look at Time, not reviewed) traveled over seven years to some of the world’s wildest and most remote places seeking to understand how wildness expresses itself. She has categorized her journeys by the four elements—earth, water, fire and air—adding a fifth, ice, and concluding with a trip into the recesses of the human mind. The first chapter, “Wild Earth,” is an expedition into the Amazon basin, where she becomes immersed not just in the physical wildness of nature but in the culture of the indigenous people. When shamans introduce her to the hallucinogenic drink ayahuasca, she feels herself being transformed into a jaguar, an experience she describes vividly. The next, “Wild Ice,” takes her to Ellesmere Island in the Canadian Arctic, where she lives among the Inuit and bears witness to the beauty of the land and the destruction by white newcomers of the native culture. In “Wild Water,” she learns about the wildness of the ocean and the creatures in it from the Bajo people of Indonesia, sea gypsies who live on a small island off Sulawesi. The hot, dry Australian outback is the setting for “Wild Fire.” There she lives among the Aboriginal people, comparing their spiritual understanding of the desert with the less felicitous attitudes of the white settlers. The highlands of West Papua are the setting for “Wild Air,” and there she is again traveling with native guides through exceedingly rough country and climbing high mountains. In Griffiths’s eyes, indigenous people are blessed with a wisdom and spirituality that the rest of us, herself excluded, just don’t get; a persistent theme is the harm done to the native people and their environment by intruding whites, especially Christian missionaries.

Griffith’s love for words and her skill in using them, her easy familiarity with a host of poets, novelists, naturalists and anthropologists, her openness to new experiences and her willingness to reveal so much of herself, make this a fascinating journey.

Pub Date: Jan. 1, 2007

ISBN: 1-58542-403-X

Page Count: 384

Publisher: TarcherPerigee

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2006

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WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A quirky wonder of a book.

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE BOOK OF EELS

OUR ENDURING FASCINATION WITH THE MOST MYSTERIOUS CREATURE IN THE NATURAL WORLD

Unsentimental nature writing that sheds as much light on humans as on eels.

An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.

In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.

Unsentimental nature writing that sheds as much light on humans as on eels.

Pub Date: May 5, 2020

ISBN: 978-0-06-296881-4

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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