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GODDESS DAUGHTER

From the Goddess Rising series , Vol. 2

A triumphant and entertaining blend of science, religion, and indelible characters.

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A doctor uncovers a surprising menace after a family tragedy causes him to lose a portion of his memory in this novel.

Dr. Randy Macklin was at home in Maryland when his wife, Cheri, died after a car accident in Malaysia. As a UNESCO director, she had traveled to Indonesia as part of a tsunami relief effort, but the fatal collision occurred in Kuala Lumpur. Randy is staying with his lifelong friend and business partner, Young Nae Yoon, just outside Kuantan. Alarmingly, Randy can’t remember the four months since Cheri’s funeral, including his 19-year-old daughter, Desiree, falling into a coma from a snakebite. So he sees psychiatrist Dr. Sanantha Mauwad for help. Part of the therapy involves a field trip to where Young Nae says a snake bit Desiree, but Randy and Sanantha discover a discrepancy or two in his story. A friend of Randy’s subsequently explains that a dangerous rival, Lo Cheung, may have targeted those close to Young Nae. Sure enough, unexplained apparent bug bites on Randy’s back may be signs of an elaborate plot, one that threatens him physically every time he has an illuminating flash of memory. Shocking revelations await as Randy gets closer to the truth. Hartlove’s sequel has a discernible spiritual undertone, featuring diverse religious beliefs and characters’ ambiguous dreams that ultimately prove enlightening. Nevertheless, the story’s core is an engrossing mystery, as the villain, who may or may not be Lo Cheung, spearheads a devious scheme both intricate and disturbing. The author sets a persistent momentum courtesy of details gradually revealed rather than saving all the plot twists for the final act. This likewise allows for necessary scientific exposition to unfold periodically without decelerating the narrative. Characters, even the baddies, are dynamic, though a standout is empathetic Sanantha, returning from the first installment.

A triumphant and entertaining blend of science, religion, and indelible characters. (dedication, acknowledgements, author bio)

Pub Date: Nov. 30, 2019

ISBN: 978-1-949139-63-1

Page Count: 261

Publisher: Paper Angel Press

Review Posted Online: Aug. 12, 2020

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HIDDEN PICTURES

It's almost enough to make a person believe in ghosts.

A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.

Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.

It's almost enough to make a person believe in ghosts.

Pub Date: May 10, 2022

ISBN: 978-1-250-81934-5

Page Count: 384

Publisher: Flatiron Books

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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IF IT BLEEDS

Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.

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The master of supernatural disaster returns with four horror-laced novellas.

The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.

Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.

Pub Date: April 20, 2020

ISBN: 978-1-9821-3797-7

Page Count: 448

Publisher: Scribner

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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