Hosler’s sincere excitement in both the pursuit of knowledge and the power of comics makes these bugs eminently memorable.
Entomologist Hosler offers an epic adventure that delivers an astonishing amount of information in its interstices.
Impetuous, baseball-cap–clad Lucy, a rising young beetle researcher, heads the first expedition to leave New Coleopolis since its founding 1,002 years ago, when the god Scarabus annihilated old Coleopolis with a barrage of coconuts. As in any good quest novel, her band is made up of a variety of types: There’s maternal Prof. Bombardier, pun-loving firefly Raef, doughty Hercules beetle Mossy, and crusty Prof. Owen, a Cape stag beetle. New Coleopolis is a beetlecentric theocracy, and Lucy’s expedition poses significant threats to the status quo—which is why very early on, Prof. Owen (who is evil as well as crusty) engineers its abandonment. Lost in the wilderness, Lucy and her companions encounter spiders, birds, bats and an enormous variety of insects—even beetles—that they’ve never heard of. Cool bug facts are presented in infodumps (and further explained in disarmingly personal closing annotations); fortunately, they are so interesting that readers are likely to forgive the contrivance. Hosler’s clean lines sometimes make foliage difficult to distinguish from characters, but he invests his beetles with tremendous personality, and the dialogue never lags. Though the novel’s a trifle overstuffed, the clarity of its theme and appeal of its characters carry the day.
Hosler’s sincere excitement in both the pursuit of knowledge and the power of comics makes these bugs eminently memorable. (illustrated cast of characters) (Graphic fantasy. 10 & up)Pub Date: April 7, 2015
ISBN: 978-1-62672-024-4
Page Count: 320
Publisher: First Second
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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