by Jay Parini ‧ RELEASE DATE: Jan. 25, 1995
Filtering out the mythic anecdotes that have built up around Steinbeck, Parini (The Last Station, 1990, etc.) presents a straightforwardly readable portrait and assessment of one of the last practitioners of the Great American Novel. For one of the most popular American authors worldwide, Steinbeck seemed happier as an aimless young man, surviving off odd jobs, intermittently attending Stanford University, and harboring an intense conviction of his talent, than as a bestselling author, Broadway and Hollywood success, and Pulitzer and Nobel prize winner. Steinbeck's personal life was complicated by his intense need for reassurance and stimulation, at odds with a sometimes withdrawn, rigidly principled nature—a product, Parini suggests, of his loving but forceful mother and distant father. But his friendships with the mythologist Joseph Campbell, the eccentric marine biologist Ed Ricketts, actor Burgess Meredith (who starred in the film Of Mice and Men), and the editor Pascal Corvini were long and deep. Campbell and Ricketts had considerable influence on Steinbeck's larger vision: the latter, in his ``organismal'' approach to man's place in society and on earth, and the former, in his mythic sensibility (though their friendship was cut short by Campbell's affair with Steinbeck's first wife, Carol). Parini also gives Carol Steinbeck due credit for her editorial assistance to her difficult husband and her social activism. Parini underscores Steinbeck's passion for writing, whether journalism during WW II, travelogues of scientific expeditions and journeys across the US and USSR, or a translation of Malory. Rounding out this perceptive biography, Parini judiciously charts the paradoxes of Steinbeck's later years: his happier third marriage complicated by his uneasy relationship with his sons from his second; his progressive disillussionment with postwar America and his equivocal support of the Vietnam war; and the hostile critical reception of his Nobel Prize. Parini's persuasive and lucid biography creates a vivid diptych of a turbulent individual and a neglected paragon of American letters. (16 pages b&w photos, not seen)
Pub Date: Jan. 25, 1995
ISBN: 0-8050-1673-2
Page Count: 560
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1994
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by Jay Parini
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by Jay Parini
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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