An exceptional character study that still may test some readers' tolerance for unrelievedly religious matter.
A poet, novelist, and biographer tells the story of a pivotal figure from the early days of Christianity.
He was “a small, stumbling, stooped man with a squint,” a Jew and a Roman citizen whose early life was marked by privilege, with tutors and slaves. After a good education, he entered the family tent-making business, but he also took to “ferreting out Jewish heretics” who followed prophets such as the “rustic Nazarene called Jesus.” Then something happened on the road to Damascus, and Saul of Tarsus became Paul, a leading figure of early Christianity. Parini (The Way of Jesus, 2018, etc.), who has written fictional biographies of Tolstoy and Melville, tells the story in sections narrated by Paul or by Luke, author of a Gospel and the Acts of the Apostles and companion on Paul’s years of travel throughout Asia, Macedonia, and Greece. Luke is a Greek physician and a willing scribe to Paul as he formulates doctrines, sermons, and letters that will become a dominant voice of the New Testament. They complement each other: Where Paul is passionate and visionary, Luke is measured and skeptical. Parini enlivens a narrative familiar to many with fine scenes and writerly touches, such as “houses white as dice tumbling downhill to the pebble-strewn beach.” He captures the larger politico-religious picture, with Paul as the constant stone in the sandal of Jewish, Christian, and Roman leaders alike, with his drive to shape and spread the message of Jesus sparking doctrinal clashes and threatening a fragile coexistence. The evangelist is beaten and whipped and jailed and remains indomitable. Parini also offers a suggestion of Paul’s homosexuality that is plausible but of questionable relevance. The bigger question is whether all this adds up to a novel—perhaps a holy picaresque.
An exceptional character study that still may test some readers' tolerance for unrelievedly religious matter.Pub Date: April 16, 2019
ISBN: 978-0-385-52278-6
Page Count: 368
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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