Following the events of Black Girls Must Die Exhausted (2018), Tabitha Walker courageously navigates a risky pregnancy, an old flame, and workplace racism in Allen’s delightful sequel.
After the death of her beloved Granny Tab less than a year ago, Tabitha refuses to waste any more time on starting a family. Last year’s medical diagnosis of premature ovarian reserve failure encouraged Tab to do in vitro fertilization with a sperm donor, and she's just received the life-changing news: She’s having a son. Tab plans to raise the child alone as a “single mother by choice, much to the dismay of her ex-boyfriend Marc. Although they’ve been friends-with-benefits for the past few months, she hopes he will join the village (including her friends Alexis and Laila; unconventional doula Andouele; and Granny Tab's best friend, Ms. Gretchen, who's going to be the “glam-maw”) that it will take to help raise her baby. But then her doctor unleashes a bombshell: The baby is a girl, which means it isn't the embryo he implanted. Which means that the baby is Marc's. Suddenly, Tab’s carefully laid plans for the future go haywire in all aspects of her life. Chris, her ratings-hungry boss at the TV station where she works as a news reporter, informs her that viewers have filed complaints about seeing her natural hair on air; Marc wants to be more than friends; and her father might be having an affair, again. Over the course of nine months, Tab can’t help but wonder whether this is the happy ending she chose for herself or whether it was simply decided for her. Author Allen moves through Tabitha’s pregnancy at an efficient pace, writing with flowing, poetic prose, as in this passage when Tabitha unloosens her braids: “They felt glorious, like thick grapevines hanging from my scalp. I let my eyes linger on them lovingly. This moment was my truth. Here I was, the real me—unfurled, free, unrestrained, wild in my spirit and natural in my appearance.” Tabitha’s journey is raw and real, and Allen’s description of the different realities of motherhood is exceedingly authentic and powerful, as demonstrated through this moniker that Tabitha applies to herself: “single mother by courage.”
An exceptional sequel that will leave readers eager for more.