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MOTHERKIND

An ambitious if uneven attempt to write passionately in a minor key about commonplace yet central life experiences.

Responsibility for a dying parent, taking pleasure in a first baby, marriage to a man with kids and an angry ex-wife. Despite her gift for gorgeous prose, Phillips (Shelter, 1994, etc.) is not entirely successful in breathing new life into this combination of domestic dramas so familiar in fiction and women's lives today.

Kate Tateman, a poet in Boston, is pregnant. Involved with the expectant father, Matt, for eight months, she cannot marry him until his divorce is final. Not that his first marriage's breakup was Kate's fault—the ex-wife left first—but Kate must deal with Matt's two young sons' difficulties adjusting to her. Meanwhile, in Virginia, Kate's mother, Katherine, has been diagnosed with terminal cancer. Mother and daughter are close, with few frictions, and no one questions that Kate will be Katherine's primary caretaker when the time comes. As Kate's pregnancy progresses, so does Katherine's cancer, and she moves in with Kate and Matt in Boston. The baby is born, Matt and Kate marry, Matt's sons make noisy, sometimes heartbreaking demands, Katherine weakens. Kate feeds, launders, nurtures. Her often thought-provoking musings are refreshingly lacking in cynicism, although her interspersed memories of a visit to India the year before, when she was free of responsibility, seem a bit contrived. At her best, Phillips builds scenes through sensory details and sharp dialogue. Kate's passionate love for her infant son is particularly well rendered, as is her deep tenderness toward her mother. Unfortunately, though, the story itself drags, thanks in part to needlessly repetitive bits of basic information. Meanwhile, Kate's relationship with Matt, who lacks a defined personality, never rises above lukewarm. And because Phillips insulates Kate from any character flaws, anger, or even much regret, Kate feels a little too perfect, too smart, her righteousness somewhat off-putting. No Pampers for her baby.

An ambitious if uneven attempt to write passionately in a minor key about commonplace yet central life experiences.

Pub Date: May 3, 2000

ISBN: 0-375-40194-6

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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