A meandering story lacking momentum.
In 1965 San Francisco, high school senior Blake Estancia is plagued by cryptic visions.
Magic runs in Blake’s family, but it has barely manifested in her. Unlike her telekinetic maternal grandmother, Zora, introduced in Dhonielle Clayton’s Shattered Midnight (2022), or her healer abuela, the teen’s power is relatively unimpressive: She receives abstract impressions when touching an object. Resigned to this, Blake focuses on becoming a professional artist, but it’s not easy for a young woman to break into the male-dominated art world. When startling visions begin appearing—first in her dreams and then in her waking hours—Blake turns to the aunt and uncle who raised her after her parents’ deaths for answers. She learns the truth about a family curse and a lost magic heirloom: her grandfather Phillip’s mirror. Blaming the curse for the many tragedies in her family’s history, Blake decides to break it by following the clues in her visions to find the mirror. She’s accompanied by her best friend, Olivia, and a British boy named Ian whose immediate connection with Blake seems fated. The book’s inherent suspense and initial forward motion are stalled by Blake’s unfamiliarity with her family history. When she begins her investigation into the curse, she finds fragments of answers, random breadcrumbs lacking in context that lead to a sudden and not quite conclusive ending. Blake’s mother was biracial (Black and White), and her father was Mexican.
A meandering story lacking momentum. (Historical fantasy. 13-18)Pub Date: July 19, 2022
ISBN: 978-1-368-04640-4
Page Count: 384
Publisher: Disney-Hyperion
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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