A tenacious, concise collection of vignettes with a fierce attitude, although some parts feel underdeveloped.
Bradley’s raw collection combines stories and poems about a brutal childhood, military service, and life in a flophouse.
“My home state, Kentucky, is like some weird b-movie about travelling in time to the past,” the author writes in an essay about his earliest years and his attempts to resolve his feelings about where he spent them. It’s a place where, as a child, he kissed a Black girl and an old lady called him “white trash,” as he notes in a poem titled “Trash.” He tells of his violent father abusing him and of his father’s third wife’s slamming his hand in a car door. In another poem, he describes his father’s untimely end: “My father died at 41 years old / of heart disease / or karma, / or whatever you want to call it.” Drawing on memories of a combat stint in the Army in the Middle East, he rails against a military that wants emotionless killers but sends them back into society with no preparation. Accounts of years of drug abuse in a Corpus Christi, Texas, flophouse follow, including a nine-year relationship with a Mexican woman who was a blackout drunk: “If I had a dollar for every time she threw up on me, I’d have about ten dollars.” Reflections on this era include a story about a meeting with an old sex-worker friend who died days after their reunion, causing the author to conclude: “There is almost no redemption.” Over the course of this collection, Bradley’s in-your-face, no-regrets style allows him to paint a fiery portrait of an anti-establishment personality who has ample reason to dislike the police, the government, and abusers. The people in these pages live in a hard-luck universe where the author learned to live by his own rules. The childhood stories are the most chilling ones here, and they seem to inform his perspective in other pieces, although his adulthood brought ample hardship as well. There’s a bit too much bragging about sexual prowess, though, and the poetry feels thin and lacks substance when compared to the essays.
A tenacious, concise collection of vignettes with a fierce attitude, although some parts feel underdeveloped.Pub Date: July 12, 2021
ISBN: N/A
Page Count: 128
Publisher: Manuscript
Review Posted Online: July 1, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”
A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.
Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”Pub Date: June 11, 2024
ISBN: 9780316258876
Page Count: 384
Publisher: Little, Brown
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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