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THE MOST PRECIOUS OF CARGOES

A postmodern fairy tale, by turns evoking horror and wonder, that scrutinizes the relationship between myth and history.

In a fabulist novella, a Jewish man bound for a concentration camp throws one of his twin babies from a moving train; a Polish countrywoman finds the child and raises her as her own.

As he and countless other deported French Jews rush toward doom, a father realizes that his wife does not have enough milk to feed both of their infants and so makes the unthinkable decision to throw one of the babies, wrapped in a prayer shawl, from the moving train. As fairy-tale logic would have it, a poor childless woman in the forests of Poland discovers the baby, and she and her husband risk their own lives to raise the girl as their own. Thus the father’s Sophie’s Choice is redeemed and shown to be one of great humanity. On its face, this story—newly available in English thanks to Wynne’s beautiful translation from French—is about the devastating lengths to which parents will go for the sake of their children and about how saving one life can mean endangering another. But it is also an unlikely tale of survival during the Holocaust that is entirely aware of its unlikeliness. Grumberg uses fairy-tale conventions, but he does so winkingly. This self-consciousness reaches its zenith with a metafictional epilogue that directly addresses the idea of “true stories,” calling upon the reader to question their assumptions about historical fiction and about the relationships between myth and truth. With subtlety and intention, the novella ultimately implores us to consider the purpose of literature after tragedy: well-trodden thematic territory after 1945, to be sure, but approached here in a unique way. It is difficult, in 2020, to write a work of fiction about the Holocaust that is original; even simply in this sense, Grumberg’s work succeeds where many have failed.

A postmodern fairy tale, by turns evoking horror and wonder, that scrutinizes the relationship between myth and history.

Pub Date: Sept. 29, 2020

ISBN: 978-0-06298179-0

Page Count: 96

Publisher: HarperVia

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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