DAUGHTER OF DOOM

A Viking teen grapples with family, faith, and fate.

Fifteen-year-old Yrsa, daughter of a Danish helmsman and an enslaved Frisian woman who died in childbirth, defends herself well against her persecutors in the village of Mimir’s Stool. Yrsa’s parentage and crooked foot, however, blight her marriage prospects—until word spreads that Yrsa can see people’s fates. She reluctantly accepts a duplicitous nobleman’s proposal; she’d rather marry him than “be treated like a slave in her own village.” But her plan is disrupted by the arrival of Sister Job, a young nun taken hostage from Ganda (present-day Ghent). After Job, with Yrsa’s help, fatally wounds a villager who rapes her, the teens set sail to escape retribution, pursued by Yrsa’s father and his crew. Amid subterfuge and battles, the girls’ uneasy friendship deepens despite their frequent arguments about their religious differences. Will they survive? The third-person omniscient narration, translated from Dutch, at times feels disjointed and occasionally slows the pacing, and some secondary characters feel two-dimensional. However, readers interested in Viking times will appreciate the detailed descriptions of everyday customs—which included enslaving people of various cultures and ages—and the interwoven lore of Norse gods and goddesses. Yrsa and Job gradually learn to appreciate aspects of each other’s beliefs, and readers who enjoy philosophical or theological discussions will find much to ponder.

Atmospheric and thought-provoking.