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HOOK A FISH, CATCH A MOUNTAIN

Spinner Shafter—even her name is a reflection of her father's determination to raise a fisherman (though she herself would rather be a dancer)—astounds her relatives and wins the family trophy from Uncle Auggie by hooking a huge cutthroat trout, a variety thought to' have vanished from the area. But Spinner is shocked and saddened when her father insists on mounting the record-breaking catch instead of throwing it back according to Shafter custom; that's one reason why she is happy when Cousin Al whose cabin she is visiting invites his "city mouse" age mate on a mountain trek with tents and backpacks, to solve the mystery of the lone cutthroat's appearance and the decline of his kind. They do, and besides saving the species they save each others' lives. Spinner earns Al's recognition as a "good woodsperson"  — whereupon she gives up dancing to stay and help in a reforestation project for which their discoveries have won state aid. Though the direction of the switch is updated, both Spinner's early interest in dancing and her later total conversion to her father's model (she even cuts off her long hair) seems just as arbitrary as in the tomboy-to-prom queen changes of the past. And though no one can fault this author's ecology and woodspersonship, the fast-paced mystery plotting she gave a similar theme in Who Really Killed Cock Robin (KR, 1971) is absent from this more thinly populated and leisurely fish story.

Pub Date: May 20, 1975

ISBN: 0525321551

Page Count: 129

Publisher: Dutton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: May 1, 1975

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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