A very dim sandhill crane earns his name as he migrates from Texas to Siberia and back again. After he rescues a young sandhill crane from a plastic 6-pack ring, a little girl names him “Luck” and sets him free. Minor’s gorgeous full-bleed paintings employ a variety of perspectives as Luck makes his way across the American landscape, memorizing all the wrong landmarks in preparation for his trip back home. George, dean of children’s nature writers, is at her understated best as she matter-of-factly describes Luck’s progress: “Luck looked down on Route 70 in Kansas and memorized a pack of motorcycles.” Such details as the way crane families develop their own unique calls to keep them together are deftly folded into the narrative, as Luck meets Wise, who (true to her name) keeps him on course as they fly back to Texas. Although an author’s note more fully describing current thinking on the way migratory birds “map” their routes would be welcome, this nevertheless stands as an engaging look at a process with which most kids are probably unfamiliar. (Picture book/nonfiction. 5-8)
Pub Date: May 1, 2006
ISBN: 0-06-008201-1
Page Count: 32
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2006
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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